Programmheft 

Soprano: Gunta Smirnova, Marie Luise Werneburg
Alto: Margot Oitzinger
Tenore: Georg Poplutz
Basso: Peter Kooij

Cornetto: Gebhard David, Frithjof Smith
Trombona: Simen van Mechelen, Charles Toet, Joost Swinkels

Violino: Regula Keller, Leila Schayegh
Viola: Katharina Bopp
Viola da gamba: Brian Franklin
Violone: Matthias Müller
Tiorba, Chitarra: Maria Ferré
Tiorba: Matthias Spaeter
Organo: Jörg-Andreas Bötticher

Literatur

– Mary E. Frandsen: Crossing Confessional Boundaries. The Patronage of Italian Sacred Music in Seventeenth-Century Dresden.
Oxford University Press 2006

– Matteo Messori, Anna Katarzyna Zaręba: Vincenzo Albrici (1631-1687)
und sein Bruder Bartolomeo: Neue biographische Funde.
In: Schütz-Jahrbuch 2017, S. 54-70

– Geoffrey Webber: Italian music at the Court of Queen Christina.
Christ Church, Oxford, Mus. MS 377 and the visit of Vincenzo Albrici's Italian ensemble, 1652–54
In: Svensk tidskrift för musikforskning, STM 1993:2

– Ester Lavinia Lebedinski: Roman Vocal Music in England, 1660–1710
Court, Connoisseurs, and the Culture of Collecting
Submitted to Royal Holloway, University of London, for the degree of
Doctor of Philosophy, December 2014

– Peter Wollny: Studien zum Stilwandel in der protestantischen Figuralmusik des mittleren 17. Jahrhunderts. Beeskow, Ortus Musikverlag 2016